Akademie der bildenden Künste Wien

The academy is getting a new visual identity. In addition, our website will be technically revised, further developed and adapted step by step. We thank our visitors for their patience. You can find more information to the corporate design on the microsite.

To the microsite

Skip to content. Skip to navigation.
]a[ exhibition space
Soft-Opening | 13.07.2021, 3.00 p.m. - 8.00 p.m.
From | 14.07.2021 - 18.09.2021
Venue | Ausstellungsraum der Akademie der bildenden Künste Wien, Eschenbachgasse 11, Ecke Getreidemarkt, 1010 Wien

The exhibition, which is centered on Anna Craycroft’s eponymous work, asks how representation in the sense of culturally shaped viewing habits is shaped by language, but also by new technologies.

Curator: Bettina Brunner
Artists: Anna Craycroft, Ericka Beckman, Sara Enrico, Elisabeth Kihlström, Laure Prouvost, Sofie Thorsen

 

Anna Craycroft, Motion into Being: Animation of Representation, 2018 (Still) © Anna Craycroft

 

The group exhibition “Motion into Being” Reframed looks at regimes of representation—as a set of conventions and rules—in relation to the notion of being human as a constantly shifting interplay of bodies and technologies, visual forms and linguistic structures. Instead of a specific concept or theory, “Motion into Being” Reframed takes an artwork as its starting point: Anna Craycroft’s installation Motion into Being (2018), realized as an artist-in-residence project at the New Museum, New York.

gray doll on the floor Sara Enrico, The Jumpsuit Theme, 2019 (Detail), Courtesy the artist and Mart, Foto © Mart, Archivo fotografico e mediateca, Alessandro Nassiri 

With nine short films at its center, Anna Craycroft’s work brings together the history of animation film with questions around the shifting definitions of a subject being recognized as human within legal language. As the artistic practices of Ericka Beckman, Sara Enrico, Elisabeth Kihlström, Laure Prouvost, and Sofie Thorsen relate to notions of play as well as the heterogenous cultures of modernity, the exhibition deliberately departs from the specificity of the legal language that Anna Craycroft’s installation focuses on, in order to create an open dialogue between Motion into Being and other works in the show. Artists in the exhibition address the relationship between abstraction and the human figure (Sara Enrico), or explore the connection between the narrative structure of cinema and the affective force of language (Laure Prouvost).


Permalink