Akademie der bildenden Künste Wien

Fashions and Styles on the Move

Part 3: Windhoek, Otjiwarongo, Swakopmund 2025The Fashion and Styles department at the IKL of the Academy of Fine Arts, the Department of Humanities and Arts/ ...

Existiert in News / 2026

Begriffsarbeit und Gegenstandsversenkung. Philosophie in der Ästhetik – Ästhetik in der Philosophie

Der Forschungsworkshop diskutiert mit 10 internationalen Gästen akute Fragen zur wechselseitigen Durchdringung von ästhetischer und philosophischer Theorie und ...

Existiert in Institute / … / Vorträge | Events / 2024

Flora Valentina Besenbäck

In conversation with Barbara Pflanzner, Studio at Creative Cluster, June 27, 2023

Existiert in University / … / Academy Studio Program (2018–2025) / Interviews scholars

Bureau Veritas at Schillerplatz in June 2021, Studio of Graphic Arts and Printmaking Techniques, photo © eSeL.at – Lorenz Seidler

Students print on fabric in front of the Schiller monument. In the background you can see the academy building.

Existiert in International / International Office | Global Engagement

[em]Bureau Veritas[/em] at Schillerplatz in June 2021, Studio of Graphic Arts and Printmaking Techniques, photo © eSeL.at – Lorenz Seidler

Winners with Franz Solta, Managing Director of Gewista, Rector Johan Hartle and Vice Rector Ingeborg Erhart, Photo: eSeL.at - Lorenz Seidler

Existiert in Museum and Exhibitions / Academy | Art | Public Sphere / Demokratie leben

Anna Artaker, Naturselbstdruck einer Pestwurz (Detail) aus der Serie The Pencil of Nature , Naturselbstdruck, 60 x 43,5 cm, 2017

FWF | Elise-Richter PEEK-Fellow Anna Artaker, Institut für bildende Kunst

Existiert in Forschung / … / 2015 / MEDIEN DER GESCHICHTE

Anna Artaker, Naturselbstdruck einer Pestwurz (Detail) aus der Serie [en] [em] The Pencil of Nature [/em] [/en], Naturselbstdruck, 60 x 43,5 cm, 2017

X-ray radiography of a panel painting, damage to the wooden panel (e.g. wormholes) is clearly visible, photo © INTK

A black and white photograph of a painting of a Madonna and Child on a wooden panel. The image is an X-ray radiograph. The figures are faintly discernible. The ...

Existiert in Institutes / … / Teaching and Research / Documentation of art and cultural history objects

X-ray radiography of a panel painting, damage to the wooden panel (e.g. wormholes) is clearly visible, photo © INTK

Charles Paxon, Rosa, a Slave Girl from New Orleans, albumen print, c. 1864, Library of Congress, Washington D.C.

An old studio portrait picture of a young girl. The caption reads "Rosa. A slave girl from New Orleans".

Existiert in Institutes / … / 2022 / Not Making Sense: The Invisibly Black Figure and Visual Art

Charles Paxon, [em]Rosa, a Slave Girl from New Orleans[/em], albumen print, c. 1864, Library of Congress, Washington D.C.

Exhibition view, Cathrin-Pichler-Prize 2018 - Belinda Kazeem-Kaminski, Academy of Fine Arts Vienna, 2019, Photo: Joanna Pianka

View of the exhibition in the archive room. In the background, bookshelves. In front of it, a mobile, low silver metal box with drawers pulled out. A film is ...

Existiert in Institutes / … / Exhibitions / Cathrin-Pichler-Prize 2018: Belinda Kazeem-Kamiński

Exhibition view, [em]Cathrin-Pichler-Prize 2018 - Belinda Kazeem-Kaminski[/em], Academy of Fine Arts Vienna, 2019, Photo: Joanna Pianka

Exhibition view, Cathrin-Pichler-Prize 2018 - Belinda Kazeem-Kaminski, Academy of Fine Arts Vienna, 2019, Photo: Joanna Pianka

View of the exhibition in the archive room. In the background, bookshelves. In front of it, a mobile, low silver metal box with drawers pulled out. A film is ...

Existiert in Institutes / … / Exhibitions / Cathrin-Pichler-Prize 2018: Belinda Kazeem-Kamiński

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