Documentation of art and cultural history objects

A diagram schematically depicts the structure of a painting layer, starting from the canvas, via pre-glue, undercoat, imprimitura, underpainting, main colour and glaze layer. Arrows coming from above go to different depths into these layers and show how different electromagnetic rays penetrate the painting layer (UV: up to the varnish, visible rays up to the glaze layers/main colour, IR rays up to the imprint/underdrawing, X-rays up to the canvas).

A painting with a landscape and sky that fluoresces light blue in large parts.

A painting in black and white showing horses, various figures and in the upper part a figure of Jesus with his hand raised in blessing. The outlines of the people and horses are clearly visible as black lines.

A black and white photograph of a painting of a Madonna and Child on a wooden panel. The image is an X-ray radiograph. The figures are faintly discernible. The irregular structure of the wood is clearly visible through light and dark parts.

Electromagnetic radiation in the visible (Vis), infrared (IR), ultraviolet (UV), and X-ray range are applied for gaining information concerning the structure, genesis, and present state of artwork. The documentation can be carried out either by film or digital cameras.

Name: Univ.-Prof. Dipl.-Biol. Dr. Katja Sterflinger
Phone: + 43 (1) 58816 - 8600
Email: k.sterflinger@akbild.ac.at

Name: Ernst-Georg Hammerschmid
Phone: + 43 (1) 58816 - 8665
Email: e.hammerschmid@akbild.ac.at

Name: Dipl.-Ing. Dr.techn. Dubravka Jembrih-Simbürger
Phone: + 43 (1) 58816 - 8617
Email: d.jembrih-simbuerger@akbild.ac.at

Name: Employee not (anymore) listed in directory!

Name: Mag. Dr.rer.nat. Wilfried Vetter
Phone: + 43 (1) 58816 - 8614
Email: w.vetter@akbild.ac.at