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    Introduction to the Use of the Library of the Academy of Fine Arts Vienna

    An introduction to the use of the A...cademy Library's holdings with Patrizia Wiesner-Ledermann as part of the WissensWert series.

    Introduction held in English

    Schillerplatz 3
    1010 Vienna
    University Library
    Reading room M 7

    University Library

    Logo WissensWert

  • –

    Introduction to the Use of the Library of the Academy of Fine Arts Vienna

    An introduction to the use of the A...cademy Library's holdings with Patrizia Wiesner-Ledermann as part of the WissensWert series. 

    Introduction held in German

    Schillerplatz 3
    1010 Vienna
    University Library
    Reading room M7

    University Library

    Logo WissensWert

  • Der Holzapfeladam

    A reading from the novel about the struggle for humanity and dignity in a cruel world with author Bernhard Moshammer accompanied by music as part of the Academy Librar’s Wer A.. sagt event series

    Reading and concert held in German

    Schillerplatz 3
    1010 Vienna
    University Library
    Reading room, M 7

    University Library

    Cover des Romans „Der Holzapfeladam“ von Bernhard Moshammer mit einer Reproduktion von Orazio Gentileschis Gemälde „David und Goliath“ (ca. 1605–1607, National Gallery of Ireland, Dublin).

  • Us and the others: Narratives of flight, identity, and integration

    A book presentation by Vedran Džihić and Manuela Tomić on the topic of fleeing the Bosnian war and arriving in Austria as part of the Academy Librar’s Wer A.. sagt event series. The evening will be hosted by radio play director and author Andreas Jungwirth.

    Book presentation held in German

    Schillerplatz 3, 1010 Vienna, University Library, Reading room, M 7

    University Library

    Two book covers. Left: Essay volume "Ankommen" [Arriving] by Vedran Džihić; a black anchor is depicted on a peach-colored background, the title is written in portrait format on the right-hand edge. Right: Prose volume "Zehnfingermärchen" [Ten-finger fairy tale] by Manuela Tomić; the author's name and the title appear on a white background in the upper section, with an instant photo of four people from three generations standing in front of a car below on the left; a view of Paris in the lower section, with the Eiffel Tower crowned with a strawberry on the right, protruding into the middle section.

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    Goose Quill, Squiggle, Ink Blot – Reading and Writing Kurrent Script

    A three-unit Kurrent workshop of the University Archives with Ulrike Hirhager as part of the Academy Library’s WissensWert event series

    Free course held in German

    Schillerplatz 3, 1010 Vienna, University Library, Reading room, M 7

    University Library

    Top left: Matriculation register from the holdings of the university archive of the Academy of Fine Arts Vienna, 1754–1769/72; top right: Kurrent alphabet; bottom left: Kurrent memory cards; bottom right: Practice sheet, quill with steel nib, glass inkwell

  • Iris Julian: Singular Plural as a Method of Contemporary Staging

    Lecture on experiments with co-authorship in contemporary dance and the overwriting and bundling of individual choreographic manuscripts into a singular plural as part of the Academy Librar’s Wer A.. sagt event series

    Lecture and book presentation held in German

    Schillerplatz 3, 1010 Vienna, University Library, Reading room, M 7

    University Library

    Black and white photomontage in landscape format with the cover of the book "Singular Plural Ways of Staging Together" by Iris Julian on the left. The photo of a stage with four people is integrated into the upper part of the cover, with the author, title and publisher's details below. The cover is embedded in a photograph of the rehearsal of the play "Reportable Portraits" (2007), initiated by Deufert & Plischke (courtesy: Deufert & Plischke). On the left are the first rows of chairs in the auditorium, on the right the stage set consisting of movable walls.

  • Dreams of a bowhead whale

    One morning the question floated on Greenland's waters: What can art and literature achieve in an exhausted world? A poetic-performative answer is given by the gecko art duo as part of the Academy Library’s Wer A... sagt event series.

    Reading performance held in German

    Schillerplatz 3, 1010 Vienna, University Library, Reading room, M 7

    University Library

    Excerpt of a black and white text passage from the "Codex Kedube" with the words "Dream image ten / Boundless creative hum" in a box.

  • –

    Goose Quill, Squiggle, Ink Blot – Reading and Writing Kurrent Script

    A three-unit Kurrent workshop of the University Archives with Ulrike Hirhager as part of the Academy Library’s WissensWert event series

    Free course held in German

    Schillerplatz/ University Library (Reading room, M7)

    University Library

    Top left: Matriculation register from the holdings of the university archive of the Academy of Fine Arts Vienna, 1754–1769/72; top right: Kurrent alphabet; bottom left: Kurrent memory cards; bottom right: Practice sheet, quill with steel nib, glass inkwell

  • CANCELED: Catastrophes That Made Me

    A book presentation plus reading with author Kseniya Schneider under the Academy Library’s Wer A…sagt event series

    Book presentation held in German

    Schillerplatz/ University Library (Reading room, M7)

    University Library

    On black background there are several different white and red scribbles. In the lower left part of the graphic there is a human head surrounded with question marks, stylized eyes, and sayings (Who am I? All eyes on me). On the right edge of the image is written vertically "Welcome to my mind".

  • Die Holzapfel Schwestern

    Reading and concert with author Bernhard Moshammer under the Academy Library’s Wer A.. sagt event series

    Reading and concert held in German

    Schillerplatz/ University Library (Reading room, M7)

    University Library

    Cover of the novel "Die Holzapfel Schwestern" [The Holzapfel Sisters] by Bernhard Moshammer with a reproduction of Artemisia Gentileschi's painting "Judith beheads Holofernes" (c. 1612, Museo di Capodimonte, Naples).