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Yeah, but is it Economy?

Event Label
Organisational Units
Art and Architecture
Location Description
Schillerplatz 3
1010 Vienna

Lecture by Clive Spash within the Lecture Series at the Institute for Art and Architecture, WS 2023/24
Curated by Michelle Howard, Adam Hudec, Veronika Miskovicova and Eva Sommeregger in collaboration with the Academy of Arts, Architecture and Design in Prague.

"I am an economist who writes, researches and teaches on public policy with an emphasis on economic and environmental interactions. Over 30 years, I have worked on a range of subject areas and topics from the economic impacts and control of acidic deposition through atmospheric and plant science relating to urban pollution impacts on agriculture to the economics and ethics of human induced climate change and the plural values related to biodiversity. This has also involved moving away from mainstream environmental and resource economics, looking at links with natural sciences, understanding applied ethics, exploring models of democracy and public participation in political science, and linking with social psychology to develop models of human behaviour and motivation. In turn this has led me to question the foundations of accepted knowledge in both the natural and social sciences. As a result I have been exploring a philosophy of science that combines and accepts realism, sociology of science, critical analysis and deconstructs the fact-value dichotomy." (Clive Spash)

YEAH, BUT IS IT TECHNOLOGY? Yes of Course! asks what direction would technology have taken if skills that are normally attributed to women and other anomalies were given the attention they deserve, and proposes that by embracing the practical application of lines and threads we can build a richer and more sustainable future. Scientists now accept that humankind’s first tool was not a weapon but a carrier bag, that humans tended toward sociable collectives rather than submission to hierarchy, that whole social systems were adopted or discarded according to need. These facts are now recognised because evidence long existing has been reevaluated in less biased ways. The evidence was not difficult to find, it was just ignored. Patriarchal biases have labelled one practice technology and the other craft. Both are dependent on the practical application of knowledge, yet one attracts prestige, income, and a taste of progress while the other is deemed pretty but also pretty useless. Could an embracing of ignored technologies lead to a regenerative practice that drives environmental and societal progress? Of course it could!

Supported by the Academy of Fine Arts Vienna, AKTION, OEAD